Every so often I think I ought to start writing about the books I read, just to keep my brain in shape. I never seem to keep up with this. I’m going to try it again, but given how long it took me to finish this rather badly written review maybe I shouldn’t get my hopes up.
The Knights of the Cornerstone is about learning to engage with the world. Cal, James Blaylock’s hero, is a thirtysomething guy who lives alone, collects books, draws cartoons, and spends his time standing aside and watching life. As a thirtysomething cartoonist who lives alone, accumulates books—it doesn’t rise to the level of “collecting,” I fear—and doesn’t get out much, I may or may not be this book’s ideal reader. I was distracted by the subconcious expectation that, at any moment, the characters would turn to the reader and ask “Are you getting all this?”
Beyond that, for anyone who’s read Blaylock before this book is not particularly striking. It’s not bad. It’s like… have you seen Spellbound? The Alfred Hitchcock movie? Spellbound is worth seeing. More than once, even. It’s not a great movie; Hitchcock was not pushing himself. It says something that the best part of Spellbound was the work of Salvador Dali. But it is a Hitchcock movie, and it does the things Hitchcock movies do.
Knights of the Cornerstone is a James Blaylock novel, and it does the things James Blaylock novels do. Continue reading Knights of the Cornerstone