(This is the first half of a half-finished review. I’m hoping going ahead and posting it will prod me into writing the rest.)
The word for Deceit is “functional.” It does not tell an exciting story. It does not explore characters in great detail. It doesn’t say much about the human condition. Deceit was conceived and written solely to advance the editorial goals of Peter Darvill-Evans, New Adventures mastermind.
He’s testing his own editorial guidelines. He’s reintroducing Ace. He’s filling in the New Adventures’ future history. He’s cleaning up and retconning the last few books’ worth of characterization oddities. And he’s explaining his theory of time travel. As Darvill-Evans says in his afterward/apologia, “That’s a lot of functions for one medium-length novel to perform. I hope you didn’t notice it creaking under the weight of so many burdens.”
Deceit creaks. Understandably. Any writer juggling five such unwieldy objects hasn’t got a lot of spare attention for the things that make a book, y’know, good. The surprise is that Deceit is adequate. Continue reading New Adventures Reviews: Deceit (Part One) →