{"id":873,"date":"2016-02-28T14:31:58","date_gmt":"2016-02-28T20:31:58","guid":{"rendered":"http:\/\/www.superdoomedplanet.com\/blog\/?p=873"},"modified":"2016-02-28T14:31:58","modified_gmt":"2016-02-28T20:31:58","slug":"nnedi-okorafor-lagoon","status":"publish","type":"post","link":"http:\/\/www.superdoomedplanet.com\/blog\/2016\/02\/28\/nnedi-okorafor-lagoon\/","title":{"rendered":"Nnedi Okorafor, Lagoon"},"content":{"rendered":"<p>I&#8217;m often frustrated by the sameness of most modern SF novels&#8217; voices. That sameness is made more stark when I read a book like <a href=\"http:\/\/www.goodreads.com\/book\/show\/18753656-lagoon\">Nnedi Okorafor&#8217;s <em>Lagoon<\/em><\/a> that has a voice of its own. Part of its individuality comes from the setting. This is a standard Earth-based first contact story, like <em>The Day the Earth Stood Still<\/em> or <em>Close Encounters of the Third Kind<\/em>. But these aliens, perhaps realizing we&#8217;ve seen an awful lot of U.S. and U.K. based visitations already, decide to park their spaceship in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Lagos\">Lagos<\/a>. More importantly for me&#8211;because at the moment it&#8217;s the kind of thing I notice&#8211;is that much of it is written in omniscient point of view instead of the close third person used by most modern genre fiction.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"Cover of Lagoon\" class=\"alignright\" width=\"310\" height=\"475\" src=\"..\/blogpics\/2015\/lagoon.jpg\" \/><\/p>\n<p>I sometimes think I&#8217;m tired of SF novels with casts of thousands, like <em>A Game of Thrones<\/em>. Maybe my problem is more with novels that combine huge casts with close third person, like <em>A Game of Thrones<\/em>.<a href=\"#fn:57769\" id=\"fnref:57769\" title=\"see footnote\" class=\"footnote\">[1]<\/a> They&#8217;re choppy. I&#8217;m just getting interested in a character and their situation when the story jumps to another and forces me to readjust; my momentum is broken. Omniscient narration <em>flows<\/em>, smoothly carrying the narrative from one character to the next.<\/p>\n<p><em>Lagoon<\/em> is free with its point of view. It can focus on one character, tour the inner voices of a crowd, or pull back to survey the city. There are chapters from the POVs of animals, first person witness statements&#8211;whatever the book needs in that moment. Some reviews have opined that most of <em>Lagoon<\/em>&#8217;s characters are a bit flat, and to some extent that&#8217;s true, but for the type of novel this is that&#8217;s fine. <em>Lagoon<\/em> isn&#8217;t any one character&#8217;s story. It&#8217;s a study of a city reacting to a historically weird event. The characters are mosaic tiles&#8211;just chips of color in themselves, but making a bigger, deeper picture.<\/p>\n<p>It&#8217;s also a mosaic of genres. It&#8217;s first contact science fiction, but with regular sidesteps into fantasy, myth, and magic realism. <em>Lagoon<\/em> is the kind of book where the three main human characters turn out to be superheroes because, hey, <em>why not.<\/em> It reminded me of Douglas Adams even though it&#8217;s only a comedy in the old fashioned &#8220;not a tragedy&#8221; sense, maybe because of its willingness to enter the point of view of anyone or anything&#8211;there&#8217;s a bit with a bat that reminded me of <em>The Hitchhiker&#8217;s Guide to the Galaxy<\/em>&#8217;s whale and bowl of petunias. In its early chapters <em>Lagoon<\/em> also resembles a caper story, maybe by Donald Westlake: It has a big and often eccentric cast, all with their own agendas and attitudes towards the central McGuffin, drifting through each other&#8217;s stories and occasionally converging in one place to bemuse each other.<\/p>\n<p>These days it takes me a while to read a science fiction or fantasy novel; I keep stopping and starting. It&#8217;s not that there&#8217;s anything wrong with the books I&#8217;m reading, but the genres have made me gun-shy. As I&#8217;ve mentioned in other reviews, I find most recent SF depressing and I&#8217;ve been conditioned to expect something awful to happen in any given book. No matter how well an SF novel is going, I&#8217;m never <em>quite<\/em> convinced that there won&#8217;t be a massacre in the next chapter. This is how I read <em>Lagoon<\/em> at first, too. In this case my apprehension might have been enhanced by the entire history of the aliens-on-earth trope. These situations never seem to end well. Half the time the aliens are invading monsters as made famous by <em>The War of the Worlds<\/em>. If the aliens are friendly, then the humans will be paranoid and fearful and the lesson will be that <a href=\"http:\/\/www.avclub.com\/tvclub\/the-simpsons-classic-treehouse-of-horrors-45198\">the real monsters are us.<\/a><\/p>\n<p>But the occasional tense moment aside, the meeting of humans and aliens goes smoothly. And maybe that&#8217;s partly because <em>Lagoon<\/em>&#8217;s magic realist side is nudging it away from the standard tropes of the alien visitation genre: there are larger powers looking out for everybody. But mostly <em>Lagoon<\/em> is one of those books where most people mean well and the ones who don&#8217;t aren&#8217;t all-powerful.<\/p>\n<div class=\"footnotes\">\n<hr \/>\n<ol>\n<li id=\"fn:57769\">\n<p>For me <em>A Game of Thrones<\/em> symbolizes everything wrong with science fiction and fantasy in the 21st century. <a href=\"#fnref:57769\" title=\"return to article\" class=\"reversefootnote\">&#160;&#8617;<\/a><\/p>\n<\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m often frustrated by the sameness of most modern SF novels&#8217; voices. That sameness is made more stark when I read a book like Nnedi Okorafor&#8217;s Lagoon that has a voice of its own. Part of its individuality comes from the setting. This is a standard Earth-based first contact story, like The Day the Earth &hellip; <a href=\"http:\/\/www.superdoomedplanet.com\/blog\/2016\/02\/28\/nnedi-okorafor-lagoon\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Nnedi Okorafor, Lagoon<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,9],"tags":[35],"class_list":["post-873","post","type-post","status-publish","format-standard","hentry","category-books","category-speculative-fiction","tag-science-fiction"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/posts\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":3,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/posts\/873\/revisions"}],"predecessor-version":[{"id":876,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/posts\/873\/revisions\/876"}],"wp:attachment":[{"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/media?parent=873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/categories?post=873"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.superdoomedplanet.com\/blog\/wp-json\/wp\/v2\/tags?post=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}